Creatives Description: Based on the uploaded images, strictly follow them in upload order: @image_1 is Driver One — take their entire appearance 100% from the reference image: face, gender, age, height, build, hairstyle, hair color, skin tone and clothing

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Creatives Description: Based on the uploaded images, strictly follow them in upload order: @image_1 is Driver One — take their entire appearance 100% from the reference image: face, gender, age, height, build, hairstyle, hair color, skin tone and clothing exactly as they are, whoever they are, never altered, never redesigned; they sit in the driver's seat of the car from @image_2. @image_2 is Car One — take its entire appearance 100% from the reference image: body shape, color, design, wheels and every detail exactly as they are, whatever car it is, nothing added, nothing removed, never redesigned; it is the car parked on the RIGHT. @image_3 is Driver Two — take their entire appearance 100% from the reference image: face, gender, age, height, build, hairstyle, hair color, skin tone and clothing exactly as they are, whoever they are, never altered, never redesigned; they sit in the driver's seat of the car from @image_4. @image_4 is Car Two — take its entire appearance 100% from the reference image: body shape, color, design, wheels and every detail exactly as they are, whatever car it is, nothing added, nothing removed, never redesigned; it is the car that ARRIVES from the left. BOTH cars are LEFT-HAND DRIVE: the steering wheel is on the LEFT side of each car's interior, each driver sits in the left front seat with the wheel directly in front of them. Strictly lock both drivers' identities and both cars' appearances across all shots. One-sentence summary: On a winding golden-hour canyon road, a short distance before a visible fork in the road ahead, the car from @image_4 pulls up from the left and stops parallel to the parked car from @image_2, both facing the same direction toward the distant fork, the two old friends share a long wordless farewell of warm knowing looks, and in the final aerial shot both cars drive off together and split apart at that fork, the drone following the left car into the sunset. Specific plot description: A silent emotional farewell between two old friends, told with clean cuts, no dialogue anywhere, golden-hour sunset light throughout. The geography is fixed from the very first frame: the road runs straight ahead and visibly SPLITS INTO A Y-FORK in the distance ahead of the cars — this distant fork is visible in the background of the opening shots, waiting down the road. [0-1.5s] Shot 1 — REAR view, extreme low static angle, camera on the asphalt behind the cars: Car One from @image_2 stands parked in the right lane, seen from behind; Car Two from @image_4 rolls in from the left and brakes to a stop exactly level with it, suspension settling — both cars now parallel, side by side, noses pointing the same direction down the road, and far ahead of them the Y-fork of the road is visible in the golden distance. [1.5-3s] Shot 2 — quick FRONT view, low static angle from ahead: the front ends of both cars standing level, side by side, parallel and facing the camera, low sun flaring behind them over the rooflines. [3-6s] Shot 3 — medium close-up inside Car One: Driver One from @image_1 in the left driver's seat, hands on the wheel in front of them; they stare ahead down the road at the distant fork, jaw set, eyes heavy with the knowledge that this is where the paths part; then they slowly, reluctantly turn their head to the LEFT toward their friend's car. [6-9s] Shot 4 — the window shot, filmed FROM Car One's position looking across at Car Two: Car Two stands parallel to Car One, pointing the SAME direction, so the camera sees Car Two's LEFT side — its driver's door and driver's window; the left side mirror sits at the front edge of the driver's window, ahead of Driver Two, near the windshield pillar. Through the open driver's window, Driver Two from @image_3 is turned toward the camera, meeting their friend's eyes with a warm, bright, sincere closed-lip smile — a friend saying goodbye without words. [9-10.5s] Shot 5 — tight close-up on Driver Two from @image_3: the smile softens into something quieter, a flicker of memory passing over their face — gratitude, brotherhood, farewell — and they give a small final nod. [10.5-13s] Shot 6 — close-up of Driver One from @image_1: eyes glistening slightly in the low sun, they answer with a faint knowing half-smile and a barely visible nod back — everything said with no words: we ride together no more, each goes their own way; then their eyes return calmly to the road and the distant fork ahead. [13-20s] Shot 7 — THE KEY SHOT, high aerial drone view over the road: both cars pull away at the same moment and drive TOGETHER, side by side in parallel lanes, approaching the same Y-fork that has been visible ahead since the opening. At the fork, Car Two steers onto the LEFT road and Car One onto the RIGHT road — the two roads spread apart and the distance between the cars grows. The drone follows Car Two, panning and tracking after the left car as it drives away alone into the golden sunset haze, Car One receding on its own road at the edge of frame, ending the video on the two friends traveling their separate ways. Global supplement: 16:9, 20 seconds, cinematic film look, fully photorealistic with ultimate real physical texture. Golden hour throughout: low warm orange sun, soft lens flares, long elongated shadows consistent with the low sun, dry canyon hills with golden grass and sparse trees, clear sky. Consistent geography: one single straight road with one Y-fork visible far ahead of the cars from the first shot to the last — the same fork where they finally separate. Correct left-hand-drive interiors in every shot: steering wheel on the left, driver in the left seat, wheel directly in front of the driver, clean simple dashboard with no readable screens or text. Both cars have real weight — suspension settling on the stop, tires gripping asphalt, subtle nose lift on acceleration, believable sunset reflections on paint and glass. The drivers' emotions are restrained and nuanced — micro-expressions, soft eyes, no exaggerated acting. Audio: an emotional, melancholic yet uplifting piano ballad carries the entire scene, swelling gently on the final aerial shot; under it, the deep muted rumble of engines, rising as the cars accelerate. Prohibited: no dialogue, no speech, no lip movement as if talking, no subtitles, no text, no watermarks, no logos, no license plates with readable or garbled characters — keep plates plain or absent, no change of either driver's face, hair or clothing, no change of either car's appearance, color or proportions — both cars always look exactly like their reference images, drivers never swap cars, both cars are always left-hand drive — never place the steering wheel on the right side, never mirror or flip either car: in the window shot the near car shows its LEFT side to the camera and faces the same direction as the other car, never rotated 180 degrees, no other vehicles or people on the road, strictly prohibit the two cars from continuing together to the end of the final shot — they MUST separate at the fork before the video ends, no floating or weightless gliding of the cars, no sad crying expressions — the farewell is warm and peaceful.

Creatives Description: Based on the uploaded images, strictly follow them in upload order: @image_1 is Driver One — take their entire appearance 100% from the reference image: face, gender, age, height, build, hairstyle, hair color, skin tone and clothing

Creatives Description: Based…

Seedance 2.5
ПРОМПТ

Creatives Description: Based on the uploaded images, strictly follow them in upload order: @image_1 is Driver One — take their entire appearance 100% from the reference image: face, gender, age, height, build, hairstyle, hair color, skin tone and clothing exactly as they are, whoever they are, never altered, never redesigned; they sit in the driver's seat of the car from @image_2. @image_2 is Car One — take its entire appearance 100% from the reference image: body shape, color, design, wheels and every detail exactly as they are, whatever car it is, nothing added, nothing removed, never redesigned; it is the car parked on the RIGHT. @image_3 is Driver Two — take their entire appearance 100% from the reference image: face, gender, age, height, build, hairstyle, hair color, skin tone and clothing exactly as they are, whoever they are, never altered, never redesigned; they sit in the driver's seat of the car from @image_4. @image_4 is Car Two — take its entire appearance 100% from the reference image: body shape, color, design, wheels and every detail exactly as they are, whatever car it is, nothing added, nothing removed, never redesigned; it is the car that ARRIVES from the left. BOTH cars are LEFT-HAND DRIVE: the steering wheel is on the LEFT side of each car's interior, each driver sits in the left front seat with the wheel directly in front of them. Strictly lock both drivers' identities and both cars' appearances across all shots. One-sentence summary: On a winding golden-hour canyon road, a short distance before a visible fork in the road ahead, the car from @image_4 pulls up from the left and stops parallel to the parked car from @image_2, both facing the same direction toward the distant fork, the two old friends share a long wordless farewell of warm knowing looks, and in the final aerial shot both cars drive off together and split apart at that fork, the drone following the left car into the sunset. Specific plot description: A silent emotional farewell between two old friends, told with clean cuts, no dialogue anywhere, golden-hour sunset light throughout. The geography is fixed from the very first frame: the road runs straight ahead and visibly SPLITS INTO A Y-FORK in the distance ahead of the cars — this distant fork is visible in the background of the opening shots, waiting down the road. [0-1.5s] Shot 1 — REAR view, extreme low static angle, camera on the asphalt behind the cars: Car One from @image_2 stands parked in the right lane, seen from behind; Car Two from @image_4 rolls in from the left and brakes to a stop exactly level with it, suspension settling — both cars now parallel, side by side, noses pointing the same direction down the road, and far ahead of them the Y-fork of the road is visible in the golden distance. [1.5-3s] Shot 2 — quick FRONT view, low static angle from ahead: the front ends of both cars standing level, side by side, parallel and facing the camera, low sun flaring behind them over the rooflines. [3-6s] Shot 3 — medium close-up inside Car One: Driver One from @image_1 in the left driver's seat, hands on the wheel in front of them; they stare ahead down the road at the distant fork, jaw set, eyes heavy with the knowledge that this is where the paths part; then they slowly, reluctantly turn their head to the LEFT toward their friend's car. [6-9s] Shot 4 — the window shot, filmed FROM Car One's position looking across at Car Two: Car Two stands parallel to Car One, pointing the SAME direction, so the camera sees Car Two's LEFT side — its driver's door and driver's window; the left side mirror sits at the front edge of the driver's window, ahead of Driver Two, near the windshield pillar. Through the open driver's window, Driver Two from @image_3 is turned toward the camera, meeting their friend's eyes with a warm, bright, sincere closed-lip smile — a friend saying goodbye without words. [9-10.5s] Shot 5 — tight close-up on Driver Two from @image_3: the smile softens into something quieter, a flicker of memory passing over their face — gratitude, brotherhood, farewell — and they give a small final nod. [10.5-13s] Shot 6 — close-up of Driver One from @image_1: eyes glistening slightly in the low sun, they answer with a faint knowing half-smile and a barely visible nod back — everything said with no words: we ride together no more, each goes their own way; then their eyes return calmly to the road and the distant fork ahead. [13-20s] Shot 7 — THE KEY SHOT, high aerial drone view over the road: both cars pull away at the same moment and drive TOGETHER, side by side in parallel lanes, approaching the same Y-fork that has been visible ahead since the opening. At the fork, Car Two steers onto the LEFT road and Car One onto the RIGHT road — the two roads spread apart and the distance between the cars grows. The drone follows Car Two, panning and tracking after the left car as it drives away alone into the golden sunset haze, Car One receding on its own road at the edge of frame, ending the video on the two friends traveling their separate ways. Global supplement: 16:9, 20 seconds, cinematic film look, fully photorealistic with ultimate real physical texture. Golden hour throughout: low warm orange sun, soft lens flares, long elongated shadows consistent with the low sun, dry canyon hills with golden grass and sparse trees, clear sky. Consistent geography: one single straight road with one Y-fork visible far ahead of the cars from the first shot to the last — the same fork where they finally separate. Correct left-hand-drive interiors in every shot: steering wheel on the left, driver in the left seat, wheel directly in front of the driver, clean simple dashboard with no readable screens or text. Both cars have real weight — suspension settling on the stop, tires gripping asphalt, subtle nose lift on acceleration, believable sunset reflections on paint and glass. The drivers' emotions are restrained and nuanced — micro-expressions, soft eyes, no exaggerated acting. Audio: an emotional, melancholic yet uplifting piano ballad carries the entire scene, swelling gently on the final aerial shot; under it, the deep muted rumble of engines, rising as the cars accelerate. Prohibited: no dialogue, no speech, no lip movement as if talking, no subtitles, no text, no watermarks, no logos, no license plates with readable or garbled characters — keep plates plain or absent, no change of either driver's face, hair or clothing, no change of either car's appearance, color or proportions — both cars always look exactly like their reference images, drivers never swap cars, both cars are always left-hand drive — never place the steering wheel on the right side, never mirror or flip either car: in the window shot the near car shows its LEFT side to the camera and faces the same direction as the other car, never rotated 180 degrees, no other vehicles or people on the road, strictly prohibit the two cars from continuing together to the end of the final shot — they MUST separate at the fork before the video ends, no floating or weightless gliding of the cars, no sad crying expressions — the farewell is warm and peaceful.

UNISET

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